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Jazz Guitar Pickups

July 11th, 2010 admin No comments

Jazz Guitar Pickups
What type of guitar pickups are better for reggae/ska/rocksteady/jazz?

I’ve been reading about pickups a bit and from what I’ve heard, single-coils are better for cleaner sounds and humbuckers are used in heavily effected music like metal or hard rock. Which would be better for “lighter” music such as reggae/ska/folk?

The idea that single coils are outright better for clean tones is retarded. Humbuckers tend to be higher output, which means that they can overdrive a tube amp faster, but just roll back your guitar’s volume knob and POOF! cleaner tone!

Single coils have a more trebly sound, but that’s just because the two coils in a humbucker cancel out some highs (just like when you use the bridge-middle or neck-middle position on a Fender strat). Wire a humbucker for coil-splitting and it’s just as trebly as a single coil.

You can find great players in any of those genres that used single coils and humbuckers… it’s really the player’s preference. All humbuckers don’t sound alike, nor do all single coils. The type of magnets, size of the pole pieces, number of windings, and basic construction of the pickup all contribute to the sound.

Personally, I like humbuckers, but that’s just me… and I modify everything extensively.

Jazz Guitar PickupsJazz Guitar Pickups
Jazz Guitar Pickups

Electric Guitar History – The Creation of an Icon

Electric guitar history is the story of the creation of one of the most popular instruments in music history. In the beginning of the twentieth century, the guitar had already proven itself to be a noteworthy instrument. Originally considered to be basically a folk instrument, the guitar had been established by formidable players such as Andres Segovia as a serious performance instrument.

 

The guitar was originally used as an accompanying instrument mostly used for rhythm or melodic accompaniment. In the ’20′s and ’30′s, however, the guitar was overpowered by the brass sections popular in Swing, Big Band and Jazz music. The acoustic guitar simply could not compete with the volume levels of the other instruments. Not even the addition of steel strings was sufficient to prevent the guitar from being drowned out by the other instruments.

 

In early 1930, George Beauchamp, a Hawaiian guitar player and Adolph

Rickenbacker, an electronics engineer, met at the Dopyra Brothers guitar manufacturer in Los Angeles, California. Together, they eventually developed the schematic for a revolutionary idea: an electronic guitar. The premise was simple: by fitting the guitar

with two magnets, a magnetic field was created which could pick up the vibrations from a string and transfer it to a resonating wire coil. In 1937 Beauchamp along with Paul Barth finally succeeded in creating a working guitar pickup.

 

The guitar was now successfully amplified but there was still a huge problem. The allure of the volume was definitely appealing but there was a major problem with the earliest guitars. An acoustic guitar is designed to be very resonant. This design causes quite a bit of feedback when the guitar is amplified and was definitely detrimental to the music of the time. There had to be a solution.

 

The solution came in the late ‘40s. Les Paul, a prominent Jazz musician and inventor, was convinced that a Solid Body Electric guitar was the answer to the resonance problems. In order to prove that his idea was the solution, another piece of electric guitar history came into being. Paul created what he dubbed “The Log”, which was essentially a 4X4 piece of pinewood fitted with two pickups. Spectators were less than enamored of the “Log’s” looks so Paul glued two cutaway halves of an acoustic guitar body to it to make it look like a guitar. In 1946, Paul took his new guitar to Gibson but Gibson was not enthusiastic about the idea of a solid bodied electric guitar because previous attempts to produce and market a solid body electric guitar had failed. At this point, Leo Fender stepped up to the plate.

 

In 1949, Fender released a production version of the guitar called the Esquire. The Esquire was eventually renamed the Telecaster and one of the most iconic instruments in electric guitar history was born. It eventually became very popular with rock musicians. Its “trebly” sound made it an excellent choice for the emerging rock and roll musical style and established the Telecaster as the first true rock and roll guitar.

 

Fender’s success with the Telecaster caused Gibson to re-assess the situation. Gibson took a second look at Les Paul’s solid body design and in 1952 decided to build a solid body guitar that would become the industry standard. Both Gibson and Fender continued to make electric guitar history by creating some of the most iconic instruments in the industry. Fender introduced the Stratocaster while Gibson introduced the SG, the Explorer and the Flying V. The modern electric guitar was born.

 

Today there are many different brands of electric guitar on the market and more electric guitar models than you can shake a stick at. In addition, as Rock, Blues, Jazz and other forms of music evolved, electric guitars have evolved to enhance the changing styles as have amplifiers and effects equipment. From its humble beginnings in medieval times, the guitar has become one of the most important and influential instruments of all time.

 

For a more complete history visit the Electric Guitar Wizard home page or go directly to http://www.electric-guitar-wizard.com/electric-guitar-history.html. See you there.

About the Author

Jeff Irick has been involved in music for over 30 years. His experience ranges from school choirs to school bands, Rock bands and playing Classical guitar semi-professionally. He is the owner of Electric Guitar Wizard which is devoted to his main musical passion, the electric guitar. If you love the electric guitar and want to learn more about it, you can find information on the electric guitar ranging from histories to model specifications to playing tips and techniques, amplifiers, effects and pretty much anything you want to know, click the link above or visit http://www.electric-guitar-wizard.com/. See you there.

What kind of guitar pickups should I get for jazz/metal music?

Hey, I’m looking into getting a new guitar (PRS SE Custom maybe). But I want to get pickups that give a jazzy tone, but also can handle heavy metal. Does anybody have any suggestions?

Get the seymour duncan “hot rodded” set. The set includes a SH-4 JB for the bridge and a Jazz SH-2 in the neck. A very effective combo, and one of my personal favorites outside Gibson pickups. It will meet your needs in every way. Warm, jazzy tones to scathing metal licks.

JBE Soapbars (Joe Barden Soapbar Guitar Pickups) Demo